Friday, November 26, 2010

Driving Miss Daisy (Golden Theatre)

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By Harry Forbes Twenty-three years after its Off-Broadway premiere, “Driving Miss Daisy” remains a thoroughly absorbing, deeply moving theat...
Tuesday, November 23, 2010

Utopia Limited (New York Gilbert & Sullivan Players)

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By Harry Forbes Until the D’Oyly Carte Opera Company mounted a concert version in 1975, and London/Decca Records subsequently recorded it, “...
Saturday, November 20, 2010

The Pee-Wee Herman Show (Stephen Sondheim Theatre)

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By Harry Forbes I must confess that, until recently on YouTube, I hadn’t watched a minute of Pee-Wee (aka Paul Reubens) Herman ‘s 1980’s CBS...

Harry Potter and the Deathly Hallows: Part 1 (Warner Bros. Pictures)

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By Harry Forbes On the plus side, “Harry Potter and the Deathly Hallows: Part 1” bears all the quality hallmarks of the six films that prece...

Elf (Al Hirschfeld Theatre)

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By Harry Forbes Though it might be tempting to dismiss this musicalization of the 2003 Will Ferrell comedy as a mere holiday trifle for the ...
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Saturday, November 13, 2010

Women on the Verge of a Nervous Breakdown (Belasco Theatre)

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By Harry Forbes Don’t be put off by reports of a troubled preview period. After all, the point of previews is to iron out the kinks. Compose...
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Sunday, November 7, 2010

The Desert Song (Light Opera of New York)

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By Harry Forbes Light Opera of New York launched its second ambitious season of classic American operettas with an impressive small-scale pr...
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