Forbes on Film & Footlights

Sunday, April 28, 2013

The Nance (Lincoln Center Theater)

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By Harry Forbes Nathan Lane gives a polished, multifaceted performance as a fictitious 1930s burlesque performer named Chauncey Miles. He...
Saturday, April 27, 2013

The Trip to Bountiful (Stephen Sondheim Theatre)

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By Harry Forbes What a lovely production this Horton Foote revival is in every way: beautiful to look at (particularly the last scene, th...
Friday, April 26, 2013

Orphans (Gerald Schoenfeld Theatre)

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By Harry Forbes This is a superb revival of Lyle Kessler’s 1983 play about co-dependent brothers in North Philadelphia – Phillip, a seem...

Jekyll & Hyde (Marquis Theatre)

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By Harry Forbes Despite a not insubstantial original run, and a genuine cult following, Frank Wildhorn’s bid for success in the “Phantom”...

The Assembled Parties (Manhattan Theatre Club)

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By Harry Forbes Richard Greenberg’s saga involving a well-to-do Jewish family in a sprawling Central Park West apartment is one of the mo...
Sunday, April 21, 2013

Motown the Musical (Lunt-Fontanne Theatre)

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By Harry Forbes This hagiographic biography of record mogul Berry Gordy, founder of the titular hit-making label, may not be the stuff of...

The Big Knife (Roundabout Theatre Company)

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By Harry Forbes First, to state the obvious: Clifford Odets’ mid-period play, “The Big Knife,” best known today as a TCM staple in its 19...
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