Sunday, March 13, 2022

Anyone Can Whistle (MasterVoices)

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By Harry Forbes For a musical that flopped so spectacularly back in 1964, “Anyone Can Whistle” has certainly shown remarkable staying power....
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Thursday, March 10, 2022

Zauber der Bohème (Austrian Cultural Forum)

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By Harry Forbes Back in 2020, I covered a press conference announcing the launch of an exhibit in Vienna under the auspices of the Universi...
Tuesday, March 8, 2022

The Music Man (Winter Garden Theatre)

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By Harry Forbes New Yorkers have been passing the humongous Winter Garden orange and blue billboard touting Meredith Willson’s classic music...
Tuesday, March 1, 2022

The Only Girl (VHRP Live!)

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By Harry Forbes For a work that, for all its cherishable qualities, can hardly be said to rate as one of Victor Herbert’s biggies such as “N...
Friday, February 25, 2022

The Merchant of Venice (Theatre for a New Audience)

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By Harry Forbes Director Arin Arbus’ production of “The Merchant of Venice” is outstanding in its clarity and fascinating in its take on thi...
Saturday, February 19, 2022

Prayer for the French Republic (Manhattan Theatre Club)

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By Harry Forbes So is it safe for Jewish people to live in France? And is there, in fact, anyplace in the world truly free of antisemitic se...
Tuesday, February 15, 2022

Intimate Apparel (Lincoln Center Theater)

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By Harry Forbes Composer Ricky Ian Gordon has found the music inherent in Lynn Nottage’s acclaimed 2003 play of the same name, and with Nott...