Forbes on Film & Footlights
Tuesday, November 22, 2022
The Rat Trap (Mint Theater Company)
›
By Harry Forbes Noel Coward’s first substantive play -- written when he was 18 but not produced for several years later (and then at Hampste...
2 comments:
Monday, November 14, 2022
A Man of No Importance (CSC Repertory)
›
By Harry Forbes The first mainstream New York revival of the 2002 musical created by Lynn Ahrens (lyrics), Stephen Flaherty (music), and Ter...
Friday, November 11, 2022
Almost Famous (Bernard B. Jacobs Theatre)
›
By Harry Forbes This musical adaptation of Cameron Crowe's 2000 semi-autobiographical film is slavishly faithful to its source, an appro...
1 comment:
Monday, November 7, 2022
The Piano Lesson (Ethel Barrymore Theatre)
›
By Harry Forbes August Wilson’s Pulitzer Prize-winner, which premiered at the Yale Repertory Theatre in 1987 and then came to Broadway in 19...
1 comment:
Monday, October 31, 2022
Gabriel Byrne: Walking with Ghosts (The Music Box)
›
By Harry Forbes Gabriel Byrne’s acclaimed memoir has been turned into a viable and engrossing theater piece by the fine Irish actor. And I w...
Friday, October 28, 2022
Topdog/Underdog (Golden Theatre)
›
By Harry Forbes Suzan-Lori Parks’ Pulitzer Prize-winning 2001 play, essentially concerning brotherly love and family identity, and imbued wi...
Sunday, October 23, 2022
Cost of Living (Manhattan Theater Club)
›
By Harry Forbes Martyna Majok’s deeply moving play relates parallel caregiver and patient stories before ultimately converging poignantly. T...
1 comment:
‹
›
Home
View web version