By Harry Forbes
Over the last several months, the beloved New York institution dedicated to all things Victor Herbert, has been streaming video chestnuts from its past seasons. Now, Artistic Director Alyce Mott has put together a newly produced revamp of one of the company’s most astute presentations, “Son of Dublin,” the 2017 concert derived from the copious Irish-themed songs from Herbert’s catalog, as well as that of his notable grandfather, composer, novelist and painter Samuel Lover.
The new version -- with 26 songs in all -- has been completely rethought for the virtual world, and some of the playlist (four new songs here) and most of the cast have changed. The result is both a visual and aural delight, and quite a different experience from its precursor.
Away from a stage setting and audience, and given the intimate singing-to-the-camera approach, the show in its new incarnation registers as a cozy evening of parlour songs. Certainly the early grouping of Samuel Lover songs take on that antiquated albeit charming feel.
Once the focus shifts to Herbert, the level of sophistication (and, arguably, our interest) rises, though the songs here are mostly in Herbert’s sentimental, romantic, and nostalgic vein.
The cast comprises VHRP reliable repertory company including Drew Bolander, Joanie Brittingham, Alexa Devlin, Jovani Demetrie, Jonathan Hare, Andrew Klima, Caitlin Ruddy, Christopher Robin Sapp, and David Seatter who serves as an affable narrator, giving us the historical context, and providing a seamless flow in his customary seasoned and endearing manner.
The staging is positional, so in spite of everyone’s disparate location -- the cast was, in fact, spread out across the country -- they seem to face each other, looking up or down as the position of colleagues shifts, creating a cunningly artificial but enjoyable sense of interaction.
There are many other highlights: among them, Devlin’s moving “The Angel’s Whisper” (one of the Lover numbers); Klima’s “Mary Came Over to Me”; Jovani’s “I Love the Isle of the Sea”; Bolander's "Believe Me If All Those Endearing Young Charms"; Seatter’s nostalgic “Belle O’Brien”; Brittingham’s sensitively vocalized “Heart O’Mine”; and Hare’s rueful “Molly.” VHRP Musical Director Michael Thomas -- his hands on the keyboard frequently on view in split screen effect -- gets to reprise his solo moment with the ‘Lament” from the song cycle, while of course, providing sterling accompaniment throughout.
After the credit roll, Mott promises more video goodies (one a month) starting in January with an encore presentation of “The Serenade.”)
“Heart of Mine” is running through Saturday at 7 p.m. ET, with a matinee on Sunday at 2 p.m. ET. Tickets can be purchased at vhrp-live.thundertix.com.
More information on the Victor Herbert Renaissance Project can be found here.
Photos: Alison Dobbins
Top to bottom:
Left to Right: Drew Bolander, Christopher Robin Sapp, Jonathan Hare, Jovani Demetrie and Andrew Klima singing “Cruiskeen Lawn”
David Seatter, Heart O’ Mine Narrator and VHRP LIVE! founding company member.
Caitlin Ruddy and Drew Bolander, “I’d Love to Be a Lady”
Left to Right (top): Jonathan Hare, David Seatter, Andrew Klima; left to right (bottom): Jovani Demetrie, Alexa Devlin, and Joanie Brittingham
Left to right: Caitlin Ruddy, Alexa Devlin, Joanie Brittingham, and Drew Bolander sing “Barney Maguire”
Caitlin Ruddy sings “Barney O’Flynn”
Joanie Brittingham, soprano and Andrew Klima, tenor, singing “Thine Alone.”
Alyce Mott, artistic director, VHRP LIVE!